Edwin Crossley-Mercer is an Anglo-French bass renowned for his exemplary musicianship and versatility across a wide-ranging repertoire. Since launching his career in 2006, he has become a prominent figure on the stages of Europe's major opera houses and concert halls, including prestigious festivals like Glyndebourne, Aix-en-Provence, and Salzburg Easter Festivals. His collaborations with eminent conductors such as Daniel Barenboim, Gustavo Dudamel, and Philippe Jordan have highlighted his adaptability in baroque, classical, and contemporary styles.

Initially focusing on a bass-baritone repertoire with composers like Mozart, Rossini, Handel, and Rameau, Crossley-Mercer has expanded to include roles by Beethoven, Berg, Britten, Strauss, Verdi, and Wagner. His affinity for French composers is evident in his performances of works by Berlioz, Gounod, Massenet, and Meyerbeer. Notable debuts include performances at Japan's Saito Kinen Festival, Berliner Philharmoniker, The Dallas Opera, and Orchestre National de France.

His recent seasons have showcased his vocal versatility in productions such as Rossini's "Moïse et Pharaon," Wagner's "Tannhäuser," and Britten's "Peter Grimes." Crossley-Mercer also enjoys a thriving concert career, performing works like Beethoven's Symphony No. 9 and Bach's Matthäus-Passion. A sought-after recitalist and former student of Dietrich Fischer-Dieskau, he has presented lied and art song programs at prominent festivals and venues.

Twice nominated for a Grammy Award, his discography includes baroque programs, collaborations with composer Michael Linton, and recordings of Schubert's "Die Winterreise." Upcoming performances are scheduled in Paris, Lille, Firenze, and Ljubljana.