Homero Nicolás Manzione Prestera, better known as Homero Manzi, was born on November 1, 1907, in Añatuya, Santiago del Estero, Argentina. He emerged as a significant figure in the world of tango, renowned for his poignant and evocative lyrics. Manzi's passion for literature and tango was evident from a young age. Initially dabbling in journalism, he later became a literature and Spanish professor. However, due to his political affiliations with the Unión Cívica Radical, he was expelled from his teaching position, prompting him to fully immerse himself in the arts.

In 1935, Manzi co-founded FORJA (Fuerza de Orientación Radical de la Joven Argentina), a group advocating for "people's nationalism" and addressing regional issues. His political views were characterized by a rejection of both fascism and communism, advocating for a neutral stance in global conflicts.

Manzi's contributions to Argentine cinema were notable during its classical era. He founded the magazine Micrófono in 1934, focusing on radio and film. His screenwriting debut came with Nobleza Gaucha in 1937, followed by several collaborations with Ulyses Petit de Murat, including the acclaimed The Gaucho War, which won the Silver Condor Award for Best Adapted Screenplay in 1943.

As a tango lyricist, Manzi penned numerous classics, such as "Barrio De Tango" and "Che Bandoneon," often collaborating with composers like Aníbal Troilo. His work remains celebrated for its emotional depth and lyrical beauty.

Tragically, Homero Manzi's life was cut short by cancer, leading to his untimely death on May 3, 1951, in Buenos Aires at the age of 43. His legacy endures through his contributions to tango and Argentine cinema.